GIUSEPPE RIVADOSSI
Basilio bench, 1970
Solid linden wood · Made in Italy · Signed certificate of authenticity
Including €2.32 French eco-contribution
A long seat carved like a sculpture, in a wood that grows warmer with the years.
Design & History
Design & History
Drawn by Giuseppe Rivadossi in 1970, the Basilio bench stretches a pure, monolithic line into a long seat cut from solid linden wood, between two sculpted uprights.
Each piece is still shaped by hand in the Rivadossi workshop in northern Italy, where the sculptor works with his sons. Two finishes tell two stories: smooth, the wood reveals its quiet grain; gouged, it keeps the rhythm of the chisel, so that no two benches are ever alike.
Specifications
Specifications
Designer: Giuseppe Rivadossi
Year of design: 1970
Material: solid linden wood
Finishes: smooth, gouged
Dimensions: W 140 or 160 × D 32 × H 50 cm (55.1 or 63 × 12.6 × 19.7 in)
Weight: 25 to 30 kg (55 to 66 lb)
Made in Italy
Lead time: 8 to 12 weeks, made to order
Signed certificate of authenticity included
Care
Care
Dust with a soft, dry cloth. On the gouged finish, a soft brush reaches gently into the chisel marks.
Linden wood deepens slowly with light and time. Keep it away from direct sun and damp, and the patina will settle evenly, giving the piece its character.
Delivery & returns
Delivery & returns
Made to order and ready in 8 to 12 weeks. Insured delivery across the European Union. Outside the EU, pieces are sold Ex Works Paris: shipping, duties and import taxes are arranged and paid by the buyer.
Each piece travels with its signed certificate of authenticity, stating its designer, its date of creation and its edition by Source Édition. Pieces in stock can be returned within 14 days.
Architects and interior designers: write to contact@source-edition.com for trade terms and project lead times.
Giuseppe Rivadossi
Italian sculptor and master woodworker, Giuseppe Rivadossi has spent his life in conversation with wood. In his hands, craft becomes a form of poetry: every curve is found in the grain, every surface keeps the trace of the tool.



